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Authorized Dealer for

Almarro Tube Amplifiers

Green Mountain Speakers

 



 



Authorized Dealer for

Green Mountain Speakers

 

 

 

Europa Speaker

The Europa speaker is a 6" two-way, ported, 4 Ohms load. That is its impedance curve above. 88-89dB/2.83Volts @ 1 meter, -3dB at 49Hz, +/- 1dB from 55Hz to 21kHz. 15W to 120W into 8 Ohm amplifiers. Expect to use 24" to 28" tall speaker stands for a listener on a sofa at 8-12 feet. 8 x 10.5 x 18.5", 43lbs each , solid cast marble.

 

 

 

The Continuum 1.5i Speaker

The Continuum 1.5i is a 10" three-way, sealed,
available in black or veneers.
88-89dB/2.83Volts @ 1 meter, -3dB at 42Hz, +/- 1dB
from 47Hz to 22kHz. 6.5 Ohms. 12.5 x 14 x 45",
marble sculpture. 65lbs each.

 

 

The New C-3

The new Continuum 3 replaces the Continuum 2,
available in black or with solid hardwood panels.
It's a 12" three-way, ported, with an adjustable
cast-marble sculpture for "Soundfield Convergence"
to any listening position. 90dB/2.83Volts @ 1 meter,
-3dB at 34Hz, +/- 0.75dB from 39Hz to 22kHz. 7 Ohms.
14.5 x 17 x 51", 100lbs each.

Green Mountain Audio Product Overview

We manufacture loudspeakers for home and studio use. The basis for all our design work is linearity- what comes in goes out. We want the original waveform (the one you would see on a `scope) delivered to the ear. This forces us to design for flat tone balance, low distortion, the least phase shift, wide and uniform dispersion, minimum resonance, the least cabinet reflections, and accurate dynamic response. Each of those areas has its own requirements, which we address through the tenets of physics. The results can seem simple, and disguise complicated relationships that have taken 25 years to master. They are complicated for one reason:  the sound that you hear is not over there by the speaker- it is right next to your ear. That's the spot where everything matters, where all the soundwaves from woofer, mid and tweeter must converge, to make that one original wave. And that's not a wave, either. We are actually just making the air pressure next to you go up and down a little. The concept of a wave comes from the math, but there is no wave!. Even if you could see the sound, there is no "wave". It's just a useful mathematical construct that mislead many, unfortunately.

Compared to what we make happen at your ear, the pressure variations which happen at the speaker are entirely different. The math connecting those two points (the ear and the speaker's cone surface) is by far the most difficult in all the sciences. Standing on the shoulders of others, our designer finally solved that math. He notes that far too many speaker designers have never studied the great body of work that precedes us- a matter of ego, perhaps, in their desire to create. Either way, you hear the results.

Our cabinets use cast marble- a 'recipe' we developed over the course of 15 years, which is extremely rigid, inert, and very dense. This material can be cast into shapes specifically good for acoustics- shapes we could never produce from wood, for minimal reflection and wide dispersion. We finish it in a special, fine-textured black paint maintained with lemon Pledge- glows like oiled, pin-grained leather.

Our wood cabinets for the woofers (cast marble you couldn't pick up) are a combination of wood products, for high rigidity and for lack of resonance. Inside are special grades of acoustic fiberglass and polyester fiber seldom used, and a baffle/brace that was derived from extensive transmission-line work and golden-ratio math

All of that leads to cabinets far quieter inside than anyone has ever before achieved, and far 'quieter' on the outside as well (lack of reflections), so the music starts and stops more quickly and cleanly, without a 'box' sound.. Black is standard, and our veneering and solid-hardwood finishing are unsurpassed. Everything is built and finished in-house.
Our raw drivers are the world's finest- by anyone's standards, they measure flatter, respond more gracefully, have more rigid pistons than any others. So they don't need 'correction' via the crossover circuits. We are very proud of these parts- made by Aurasound, Audax, Eton, Morel Acoustics, Scanspeak, and others.

No one firm makes the best drivers- we have to pick and choose, and sometimes have them built to our specs. But the companies are specialists in what they engineer and produce- so that frees us to apply our expertise to give the drivers the very best enclosures and to integrate them seamlessly via the crossover. In our literature, we discuss the specifics for each of our models, and will in the full website.
Our crossover circuits are the simplest '1st-order' designs, which is the only circuit that will not smear the amplifier's signal out across the time domain. This circuit, if properly implemented, also makes for a very easy load on the amplifier. This circuit is seldom used though, as it demands the very best drivers, and really quiet cabinetry, and a great deal more design time. Frankly, most designers have also never studied the complicated time-domain math involved to employ this circuit, and then claim "you can't hear time-domain distortions". Maybe they have convinced themselves, but everyone we know can easily hear when time-domain distortion (smearing) is removed.

With our quiet cabinets and linear drivers, this simple crossover circuit keeps the time-domain distortion to a minimum- far less than any other speaker has accomplished- even full-range electrostatic panels. Also, your amplifier sees a very flat impedance curve- so the speakers work on any amplifier, without question. The parts used in the circuit are the very finest available- Solen Litz-wire air-core inductors, Sonicap and Solen high-voltage capacitors, Audio Magic silver/copper/Teflon wire, and Vampire Wire brass/silver/gold binding posts that one can tighten with a wrench. There is no circuit board- all parts are hard-wired with Cardas solder.

The results are worth it, as you pay attention to the musicians instead of the speakers, no matter what music you will play, at any loudness.

  • The Europa speaker is $880/pair (used to be $780)- a 6" two-way, ported, 4 Ohms load. That is its impedance curve above. 88-89dB/2.83Volts @ 1 meter, -3dB at 49Hz, +/- 1dB from 55Hz to 21kHz. 15W to 120W into 8 Ohm amplifiers. Expect to use 24" to 28" tall speaker stands for a listener on a sofa at 8-12 feet. 8 x 10.5 x 18.5", 43lbs each , solid cast marble.
  • The Continuum 1.5i is a 10" three-way, sealed, available in black or veneers from $4995/pair. 88-89dB/2.83Volts @ 1 meter, -3dB at 42Hz, +/- 1dB from 47Hz to 22kHz. 6.5 Ohms. 12.5 x 14 x 45", marble sculpture. 65lbs each.
  • The new Continuum 3 replaces the Continuum 2, available in black or with solid hardwood panels, starting at $6700/pair. It's a 12" three-way, ported, with an adjustable cast-marble sculpture for "Soundfield Convergence" to any listening position. 90dB/2.83Volts @ 1 meter, -3dB at 34Hz, +/- 0.75dB from 39Hz to 22kHz. 7 Ohms. 14.5 x 17 x 51", 100lbs each. You will see in forthcoming pictures how it is even sleeker in appearance- the existing photo does not do it justice.
  • Specs common to all models: +/- 0.25dB matching between stereo pairs, 0.05% x-over tolerances, +/- 1 degree phase shift from <300Hz to >8kHz.
We make other models, primarily for built-in, custom, and home-theater use. Our subwoofers are undergoing transformation to use the very latest driver technology- the 12SWIII will be available this Fall.
Please don't hesitate to contact us, for more detailed info on any particular model- we are still finishing our website. We also have a file available with all the reviewers' comments from the last decade. If you send/have sent us your address, we'll also send you literature that covers all our models.

We have many retailers in the USA and a select few in Canada, Puerto Rico, and overseas. Contact us for the best one to serve you. Each was chosen because of their experience and customer service, not for how many units they can move. They actively demonstrate our products and also know how to make most excellent sound from any given system and room. They do not sell any product solely because a magazine gave it a great review and placed it on the cover. Each covets establishing long-term relationships with their customers, and has been in the business for a long time.

See our designer Roy Johnson's posts at Audiogon.com, at AudioAsylum.com, and at TheVinylEngine.com, for some technical info about our design philosophy and some acoustic advice. The best way to find the posts is to do a specific search at these sites using the words "green mountain" and also "europa". A search on Google.com for "Green Mountain Audio" brings up several magazine reviews straight away. Thank you again for your interest!
Green Mountain Audio
designer: Roy Johnson
ph 719.636.2500
send E-mail: gma@pcisys.net
go to Green Mountain website:  www.greenmountainaudio.com
   
 


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